Music
The strength of a
success
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Music
The strength of a
success
Popular Popular Popular

Years 70 — All by "Giramondo": The Orchestra Casadei sits on the ground while Raoul and singer Rita hold the banner with the title of the song "Giramondo", just launched. Family Archives Photos
Years 70 — All by "Giramondo": The Orchestra Casadei sits on the ground while Raoul and singer Rita hold the banner with the title of the song "Giramondo", just launched. Family Archives Photos
Raoul Casadei has marked the history of Italian folk music, especially the genus Liscio. In the 1950s, still very young, he started playing in the Orchestra of Uncle Secondo Casadei, bringing notes and joy to a people who wanted to leave the shadows of the war, eager to share. It was his uncle who gave him a guitar that drew his way to a legendary future: that of King of the Liscio.
Raoul Casadei has marked the history of Italian folk music, especially the genus Liscio. In the 1950s, still very young, he started playing in the Orchestra of Uncle Secondo Casadei, bringing notes and joy to a people who wanted to leave the shadows of the war, eager to share. It was his uncle who gave him a guitar that drew his way to a legendary future: that of King of the Liscio.
"In my life I had to deal with two things that I felt deeply within me: the sea and the music. "
From the book ‘It was a cricket (to make us dream)’
Raoul Casadei with Paolo Gambi
Full Editions 2013

1975 — In front of Le Cupole: The Orchestra Casadei in white uniform poses in front of the disco Le Cupole in Castelbolognese. Raoul, Rita Baldoni and Mauro Ferrara stand out in red. Waiting for the real Ca’ del Liscio, Raoul turned this place into a sort of "temporary disco" to experience its format. Photos Family Archives
"In my life I had to deal with two things that I felt deeply within me: the sea and the music. "
From the book ‘It was a cricket (to make us dream)’
Raoul Casadei with Paolo Gambi
Full Editions 2013

1975 — In front of Le Cupole: The Orchestra Casadei in white uniform poses in front of the disco Le Cupole in Castelbolognese. Raoul, Rita Baldoni and Mauro Ferrara stand out in red. Waiting for the real Ca’ del Liscio, Raoul turned this place into a sort of "temporary disco" to experience its format. Photos Family Archives
An evolution
in the groove
of tradition
An evolution
in the groove
of tradition

In 1958 Raoul Casadei made his official debut in the Orchestra in Bussecchio in the province of Forlì and the following year he wrote his first song for the Orchestra, entitled San Marino Goodbye. This song was part of the famous ‘Songs Cartolina’, dedicated to the tourist destinations of the Riviera Romagnola: Looking at you in Cesenatico, Back to Rimini, Milano Marittima, Cattolica silver beach and so on. These songs became the soundtrack of the Italian holidays and contributed significantly to the new success of the Orchestra, succeeding in speaking to the new generations.

In 1958 Raoul Casadei made his official debut in the Orchestra in Bussecchio in the province of Forlì and the following year he wrote his first song for the Orchestra, entitled San Marino Goodbye. This song was part of the famous ‘Songs Cartolina’, dedicated to the tourist destinations of the Riviera Romagnola: Looking at you in Cesenatico, Back to Rimini, Milano Marittima, Cattolica silver beach and so on. These songs became the soundtrack of the Italian holidays and contributed significantly to the new success of the Orchestra, succeeding in speaking to the new generations.
"Life with the orchestra absorbs you, it does not leave you escape"
From the book ‘It was a cricket (to make us dream)’
Raoul Casadei with Paolo Gambi
Full Editions 2013
It was the years of the Italian Economic Boom, Polaroid, FIAT 600 and the first portable transistor radio stations. The new social phenomena were inevitably reflected in music. It is the time when media explodes and popular music moves from theatres and squares to radio and juke-box, reaching an increasingly vast audience.
In those years High Grade, the very follow-up radio broadcast by Renzo Arbore and Gianni Boncompagni, testifies to the success of the Casadei citing a strofa of I'm looking for morosa. It is also the years of the first television appearances: in the program for you by Giorgio Vecchietti, Raoul tells his musical world in a transmission dedicated to the faces of a still little known Italy.
In 1967 the Orchestra became ’Second and Raoul Casadei’ and together they continued to produce songs and waltz that entered the hearts of people. Raoul’s solo career will really explode in the 1970s when, at the death of his uncle, he will take the Orchestra’s reins, beginning to develop his unmistakable musical style.
"Life with the orchestra absorbs you, it does not leave you escape"
From the book ‘It was a cricket (to make us dream)’
Raoul Casadei with Paolo Gambi
Full Editions 2013
It was the years of the Italian Economic Boom, Polaroid, FIAT 600 and the first portable transistor radio stations. The new social phenomena were inevitably reflected in music. It is the time when media explodes and popular music moves from theatres and squares to radio and juke-box, reaching an increasingly vast audience.
In those years High Grade, the very follow-up radio broadcast by Renzo Arbore and Gianni Boncompagni, testifies to the success of the Casadei citing a strofa of I'm looking for morosa. It is also the years of the first television appearances: in the program for you by Giorgio Vecchietti, Raoul tells his musical world in a transmission dedicated to the faces of a still little known Italy.
In 1967 the Orchestra became ’Second and Raoul Casadei’ and together they continued to produce songs and waltz that entered the hearts of people. Raoul’s solo career will really explode in the 1970s when, at the death of his uncle, he will take the Orchestra’s reins, beginning to develop his unmistakable musical style.
"While the Disco Music had landed in Italy, and in the premises they were hanging boys with the wedges so high, the heels of elephant and the glimmers, I sank my feet in my land"
"While the Disco Music had landed in Italy, and in the premises they were hanging boys with the wedges so high, the heels of elephant and the glimmers, I sank my feet in my land"

Years 70 — The Orchestra Casadei stands for the promotion of the song "Giramondo", just launched. Family Archives Photos
The musical miracle
The Nusical Miracle
The smooth Romagnolo traveled, moved, walked all the roads of Belpaese
From the book ‘It was a cricket (to make us dream)’
Raoul Casadei with Paolo Gambi
Full Editions 2013
It was the 70s, Italy of the economic miracle. Raoul Casadei, in a period where the countryside spopulated in favour of cities with factories, manages to transform the smooth from rural music to urban and national phenomenon, preserving its Italian roots. In 1970 the first participation in the Festivalbar, out of race, but it is only the beginning.
In 1973 he returned to the Festivalbar with the
song Hello Sea coming to the 3rd place in the famous popular musical pleasure race and marks its consecration. In Italy of the boom of color television and mass tourism, Ciao Mare becomes a summer hymn, an extraordinary success, selling over 500,000 vinyl copies formed 33 laps. His songs perfectly captured the climate of carefreeness of the time, celebrating the seaside life and Italian traditions, consolidating Raoul as the symbol of an Italy on holiday and launching tourism towards the Romagna beaches.
The smooth Romagnolo traveled, moved, walked all the roads of Belpaese
From the book ‘It was a cricket (to make us dream)’
Raoul Casadei with Paolo Gambi
Full Editions 2013
It was the 70s, Italy of the economic miracle. Raoul Casadei, in a period where the countryside spopulated in favour of cities with factories, manages to transform the smooth from rural music to urban and national phenomenon, preserving its Italian roots. In 1970 the first participation in the Festivalbar, out of race, but it is only the beginning.
In 1973 he returned to the Festivalbar with the song Hello Sea coming to the 3rd place in the famous popular musical pleasure race and marks its consecration. In Italy of the boom of color television and mass tourism, Ciao Mare becomes a summer hymn, an extraordinary success, selling over 500,000 vinyl copies formed 33 laps. His songs perfectly captured the climate of carefreeness of the time, celebrating the seaside life and Italian traditions, consolidating Raoul as the symbol of an Italy on holiday and launching tourism towards the Romagna beaches.

1974 — Orchestra Casadei at Festivalbar During the rehearsals of the XII Festivalbar, the Orchestra Casadei places on the stages of the Arena di Verona. A historical moment in one of the temples of Italian music. Family Archives Photos

1974 — Orchestra Casadei at Festivalbar During the rehearsals of the XII Festivalbar, the Orchestra Casadei places on the stages of the Arena di Verona. A historical moment in one of the temples of Italian music. Family Archives Photos
Raoul Casadei consolidates its popularity to the point to participate in 1974, at the Sanremo Festival with the song The Song. Although the song does not arrive in the final, the artist continues to stand out in other prestigious events and in 1975, arrives at the final of A record for summer’, in the wake of unforgettable songs Sympathy, The Mazurka of Periphery and Romagna and Sangiovese and of course Romagna.
Raoul Casadei consolidates its popularity to the point to participate in 1974, at the Sanremo Festival with the song The Song. Although the song does not arrive in the final, the artist continues to stand out in other prestigious events and in 1975, arrives at the final of A record for summer’, in the wake of unforgettable songs Sympathy, The Mazurka of Periphery and Romagna and Sangiovese and of course Romagna.
An evolution
in the groove
of tradition
When the smooth became King
With the advent of disc music, between stroboscopic lights and electronic sounds, Raoul Casadei decides to remain faithful to his musical roots and thus becomes the absolute protagonist of the era of the "Febbre del Liscio". Hundreds of whales emerge, especially in Northern Italy: it is a real boom of dance halls that create thousands of jobs, becoming real temples of the popular tradition where you dance every night of the week. The success of Casadei continues without pause, so as to accompany the arrival of the stages of the Giro d’Italia of 1976 on a spectacular Ship on Wheels from where his Orchestra played while people demanded songs and danced on the balconies of the house.
With the advent of disc music, between stroboscopic lights and electronic sounds, Raoul Casadei decides to remain faithful to his musical roots and thus becomes the absolute protagonist of the era of the "Febbre del Liscio". Hundreds of whales emerge, especially in Northern Italy: it is a real boom of dance halls that create thousands of jobs, becoming real temples of the popular tradition where you dance every night of the week. The success of Casadei continues without pause, so as to accompany the arrival of the stages of the Giro d’Italia of 1976 on a spectacular Ship on Wheels from where his Orchestra played while people demanded songs and danced on the balconies of the house.
In 1977 Raoul Casadei realized his great dream: the construction of Ca’ del Liscio, a real temple of popular music. With an area of 3,000 square meters, 500 tables, 5,000 seats, 20 offices and a capacity of 8,000 people, this immense balcony at the gates of Ravenna becomes the Cathedral of the Liscio and Raoul its King. The Orchestra at that time will perform up to 380 times a year, with double concerts on weekends, afternoons and evenings, demonstrating an extraordinary vitality and recognition.
In 1977 Raoul Casadei realized his great dream: the construction of Ca’ del Liscio, a real temple of popular music. With an area of 3,000 square meters, 500 tables, 5,000 seats, 20 offices and a capacity of 8,000 people, this immense balcony at the gates of Ravenna becomes the Cathedral of the Liscio and Raoul its King. The Orchestra at that time will perform up to 380 times a year, with double concerts on weekends, afternoons and evenings, demonstrating an extraordinary vitality and recognition.
Solar Music
Solar Music
In the 1980s, Casadei maintained its audience, evolving the Liscio in a popular and intergenerational alternative. The sounds of the clarinet in Do give way to the Mediterranean guitars and the Moog synthesizer, beginning the era of Solar Music. In Italy of "Drive In", oversize shoulder straps and DJs, the Liscio is a form of entertainment for the whole family. It is the time of the great TV shows and among the initiatives symbol of this period the Ship of the Sun, a floating disco, designed to bring on the Riviera all the energy of the Romagna tradition. With melodies that speak of fun and genuine values, Casadei continues to speak to the heart of the people.
In the 1980s, Casadei maintained its audience, evolving the Liscio in a popular and intergenerational alternative. The sounds of the clarinet in Do give way to the Mediterranean guitars and the Moog synthesizer, beginning the era of Solar Music. In Italy of "Drive In", oversize shoulder straps and DJs, the Liscio is a form of entertainment for the whole family. It is the time of the great TV shows and among the initiatives symbol of this period the Ship of the Sun, a floating disco, designed to bring on the Riviera all the energy of the Romagna tradition. With melodies that speak of fun and genuine values, Casadei continues to speak to the heart of the people.
Toward the future
Toward the future
In the 1990s Italy lived the first effects of globalization and cultural homologation. Raoul Casadei with his hit Romagna Capital continues to underline the importance of the roots, reaffirming the cultural identity of Romagna and Italian, but also understands the importance of opening up to modern and global influences to innovate once again and make contemporary the Romagna Liscio. He was born in Riccione in 1998 Balamondo, a festival designed to celebrate music as a universal language, a meeting point between musical cultures where the Romagna tradition is contaminated with genres such as jazz, reggae, pop, country, blues and ethnic music from around the world. Sigla of this festival a four-handed song with the King of Mambo Tito Puente. Among international guests Gloria Gaynor who delighted the audience with a magical version of Romagna.
In the 1990s Italy lived the first effects of globalization and cultural homologation. Raoul Casadei with his hit Romagna Capital continues to underline the importance of the roots, reaffirming the cultural identity of Romagna and Italian, but also understands the importance of opening up to modern and global influences to innovate once again and make contemporary the Romagna Liscio. He was born in Riccione in 1998 Balamondo, a festival designed to celebrate music as a universal language, a meeting point between musical cultures where the Romagna tradition is contaminated with genres such as jazz, reggae, pop, country, blues and ethnic music from around the world. Sigla of this festival a four-handed song with the King of Mambo Tito Puente. Among international guests Gloria Gaynor who delighted the audience with a magical version of Romagna.

2004 — Mirko and Raoul Casadei. Photos Maximilian Towers
Balamondo, taken over by his son Mirko in the years 2000, hosted international artists such as Blues Brothers, Earth Wind & Fire, Gipsy King, Max Gazzè, Bundabash, Goran Bregovich, Gotan Project, Richard Galliano, Dardust, Fabrizio Bosso.
It is also the years of Raoul’s musical contamination, first of all that with Elio and the Storie Tese in Sanremo in 1994, with the song "La Terra dei Cachi".
In 2000 Raoul passed the witness to his son Mirko Casadei, who will renew the Lyx by adapting it to the tastes of the new generations without betraying its essence.
Balamondo, taken over by his son Mirko in the years 2000, hosted international artists such as Blues Brothers, Earth Wind & Fire, Gipsy King, Max Gazzè, Bundabash, Goran Bregovich, Gotan Project, Richard Galliano, Dardust, Fabrizio Bosso.
It is also the years of Raoul’s musical contamination, first of all that with Elio and the Storie Tese in Sanremo in 1994, with the song "La Terra dei Cachi".
In 2000 Raoul passed the witness to his son Mirko Casadei, who will renew the Lyx by adapting it to the tastes of the new generations without betraying its essence.
Casadei in pop culture
Casadei in pop culture
The name Casadei has entered the pop culture of Italy. Several artists, including Caparezza and Article 31, cite him in their songs, confirming the lasting influence of his musical style, capable of crossing generations and genres.
The name Casadei has entered the pop culture of Italy. Several artists, including Caparezza and Article 31, cite him in their songs, confirming the lasting influence of his musical style, capable of crossing generations and genres.
Raoul Casadei's discography is a journey through decades of music, innovation and tradition that has made generations of Italians dance. Raoul Casadei, with his music, was a witness and protagonist of Italian social and cultural changes, transforming the Liscio into a symbol of identity in an evolving Italy.
Raoul Casadei's discography is a journey through decades of music, innovation and tradition that has made generations of Italians dance. Raoul Casadei, with his music, was a witness and protagonist of Italian social and cultural changes, transforming the Liscio into a symbol of identity in an evolving Italy.




























